Postcards from the World of Horse Racing: Days Out on the Global Racing Road is the new book by international-racing expert Nicholas Godfrey. In a series of evocative, informative pieces from around the racing world, Godfrey visits 20 different countries on six continents, from unforgettable high-profile events at major racecourses - such as the Kentucky Derby at Churchill Downs or the Dubai World Cup at billion-dollar Meydan - to racing venues on the road less travelled - like Morocco, Uruguay and Switzerland, where they race on a frozen lake in St Moritz. Among those he encounters are America's mighty mare Zenyatta, Triple Crown hero American Pharoah and Black Caviar, the 'Wonder from Down Under'. As well as reliving his experiences, Godfrey prefaces each postcard with a how-to guide for those wishing to follow in his footsteps. Illustrated with a range of colour photographs, the book also features a foreword by Brough Scott, one of the most respected sportswriters in the business.

The New Hollywood era of the late 1960s and early 1970s has become one of the most romanticized periods in motion picture history, celebrated for its stylistic boldness, thematic complexity, and the unshackling of directorial ambition. The Limits of Auteurism aims to challenge many of these assumptions. Beginning with the commercial success of Easy Rider in 1969, and ending two years later with the critical and commercial failure of that film's twin progeny, The Last Movie and The Hired Hand, Nicholas Godfrey surveys a key moment that defined the subsequent aesthetic parameters of American commercial art cinema. The book explores the role that contemporary critics played in determining how the movies of this period were understood and how, in turn, strategies of distribution influenced critical responses and dictated the conditions of entry into the rapidly codifying New Hollywood canon. Focusing on a small number of industrially significant films, this new history advances our understanding of this important moment of transition from Classical to contemporary modes of production.